Maureen Carrigan

Minnesota Morning

credits: http://maureenpaints.blogspot.it/

Carla Maria Maggi - La prova

La prova, 1936

Fernando Botero, The Arnolfini (after Van Eyck)

Fernando Botero, The Arnolfini (after Van Eyck), 1960s

Walter Ufer

Walter Ufer (1876-1936)

Edvard Weie

Viggo Thorvald Edvard Weie (Danish, 1879-1943)

A Sunny Day in Boserup Forest, 1914

Lady with a Parasol, Christiansø, 1917

Viggo Thorvald Edvard Weie (1879-1943) was a Danish painter. His style was influenced by journeys to Italy (1907) and Paris (1912) where he came into contact with French impressionists such as Cézanne.

After returning to Denmark in 1912, he spent a period on the tiny island of Christiansø near Bornholm. He was one of the earliest participants in the Bornholm school of painters, contributing to landscapes and seascapes in a distinctive modernistic style.

The greys of his earlier work soon gave way to brighter colours in his dramatic cubist compositions combining sea, rocks and figures, several including Poseidon, with violent brushstrokes. In his later work, the strokes can hardly be seen and his paintings seem to be characterised by mystic dreams. Finally he experimented with richer, glowing colours and lighter brushwork.

Spyros Papaloukas

Spyros Papaloukas (Greek, 1892-1957)

 Mytilene Landscape

Monastery

Frederick Judd Waugh

Jersey City at Sunset, c. 1907- 08

Achille Funi

L’uomo che scende dal tram, 1914

Autoritratto con brocca blu, 1920

Nude

Funi was born in Ferrara. He studied at the Brera Academy of Fine Arts from 1906 to 1910 and joined the Nuove Tendenze movement as a painter of Cubo-Futurist works in 1914. Having enlisted in the Volunteer Cyclist Battalion and served in World War I, he became a champion of the "return to order". He studied Graeco-Roman statuary and was influenced by De Chirico's Metaphysical painting. His Autoritratto da giovane ("Self-portrait as a Young Man"; 1924) is in the Museo Cantonale d’Arte in Lugano.

In 1920, Funi met the journalist and art patron Margherita Sarfatti, who took an interest in him as one of a group of artists whose work she believed represented modern Italy. He participated in an exhibition Marfatti presented in 1923 entitled Sette Pittori del Novecento (Seven Painters of the Twentieth Century), which included Funi, Anselmo Bucci, Leonardo Dudreville, Gian Emilio Malerba, Piero Marussig, Ubaldo Oppi, and Mario Sironi. Funi became one of the leaders of Novecento Italiano, taking part in the movement’s first and second exhibitions (Milan, 1926 and 1929). The author of numerous frescoes in the 1930s, he was a signatory of the Manifesto della Pittura Murale together with Mario Sironi in 1933 and became one of the artists most esteemed by the Fascist regime, obtaining a teaching post at the Brera Academy in 1939. The period after World War II saw the continuation of decorative works for public and religious buildings in Milan and a parallel focus on landscapes. He died in Appiano Gentile on 26 July 1972.

wiki/Achille_Funi

Kamilla Czastka

Elephant in beeing. 

They stand together, close together. Mindful, but not oppressive.

Old elephant, 2013

With a matter of course the time of the no-longer-life-skills is taken. This house of the soul will leave soon. It is perhaps the last course

credits: http://www.czastka.de

Nikolaos Lytras

The straw hat 1925

Boat with Sail (Panormos, Tinos), 1923-1926

George Breitner

George Hendrik Breitner (Rotterdam, 1857 - Amsterdam, 1923) 

Early morning Sun

George Hendrik Breitner (Rotterdam, September 12, 1857 - Amsterdam, June 5, 1923) was a Dutch painter, famous for his view of Amsterdam city life. His work is related to that of the 'Eighties', a group of artists with great influence on the Dutch art world during the eighties of the nineteenth century. Painters like Isaac Israels, Willem Witsen, and poets like Willem Kloos and Louis of Deyssel belonged to his circle.

Marie Jordan before Breitner’s copy of Rembrandt’s Anatomy Lesson, c. 1890

Andrew Brady

Time and Tide

Franz Johnston

The Gleam, Northern Quebec, c. 1935

Norman Engel, nudes

Standing nude, 2001

Looking back (2002)

Nude seated 2002

Seated nude with long red hair, 2012

Katherine Swinfen Eady

Min Ma

Valley Afternoon

Åke Göransson (Swedish, 1902 - 1942)

  Woman in Blue

Olsson’s Garden

Guillaume Seignac

Daphne, 1910ca

Jean Haines

Shades of the City. Watercolor, 62 x 80 cm

Tom Judd - The Diver Again (Misplaced Confidence)

The Diver Again (Misplaced Confidence), 2014

oil and collage

 Hurricane (2017) 

36 x 40 mixed media on panel

credits: http://www.tomjuddart.com/site/painting#/site/images/stories/paintings_images/the_central_flaw.jpg

Jane Peterson (USA 1876-1965)

 Jane Peterson (American, 1876-1965)

Reading at a Cafe (ca. 1920)

French Landscape, 1910s

Greetings from Skyscraperland, c.1910

Mausoleum Constantinople

Sunlight and Shadow, Venice

oil on canvas 61 x 45.7 cm

A Landing Along the Grand Canal, Venice

By the Water (after 1930)

gouache on paper 45.1 x 59.1 cm

Jane Peterson (1876–1965) was an American artist. She was known for her impressionistic depictions of landscapes and floral still lifes. She blended traditional approaches to painting with the vanguard art of the Impressionists and Post-impressionists.

Two of her works are held by the Metropolitan Museum of Art: "Parade" (Gouache, watercolor, charcoal, and graphite on paper) and "Turkish Fountain with Garden" (from Louis C. Tiffany Estate, Oyster Bay) (1910, Oil and charcoal on canvas).

Lu Cong, Ms. Kimberly I

Ms. Kimberly I (2009), oil on panel, 30 x 30 inches

credits: http://lucong.tumblr.com/

Joseph Pennell

Joseph Pennell (American 1857 – 1926)

Blue Night, London, c. 1894 - 1909

Watercolour on light blue paper. Los Angeles County Museum of Art, Los Angeles

Brooklyn Bridge, Lighting Up, circa 1900

Clouds over New York Harbor

Joseph Pennell (July 4, 1857 – April 23, 1926) was an American artist and author.

Born in Philadelphia, and first studied there, but like his compatriot and friend, James McNeill Whistler, he afterwards went to Europe and made his home in London. He produced numerous books (many of them in collaboration with his wife, Elizabeth Robins Pennell), but his chief distinction is as an original etcher and lithographer, and notably as an illustrator. Their close acquaintance with Whistler led the Pennells to undertake a biography of that artist in 1906, and, after some litigation with his executrix on the right to use his letters, the book was published in 1908.

He taught at Slade School of Art. He won a gold medal at the Exposition Universelle (1900), and 1904 Louisiana Purchase Exposition.

more on wikipedia

Roger de la Fresnaye

The Road, La Ferté-sous-Juarre, 1911

Landscape at Ferte-Sous Jouarre, Final Version, 1911