Chris Long aka Long Painter (American, b. 1978, CT, USA)

 

Darkness on the Edge, 2021

Oil on cradled Wood Panel

Alphonse Mucha (1860–1939): The Slav Epic

This close-up detail is a famous section from one of Alphonse Mucha's (1860–1939) grandest masterworks: the very first canvas of his monumental 20-piece cycle, The Slav Epic (Slovanská epopej), titled "The Slavs in Their Original Homeland" (Slované v pravlasti, painted in 1912).

The Figure: The detail shows the face of the Slavic woman hiding in the bushes in the bottom-left foreground of the painting. In the full composition, she and her husband are the sole survivors hiding after their village has been raided and burned by invading nomads.

Harry Brioche (b.1965)

Cloudy sky over landscape

Harry Brioche (born 1965) is a contemporary British landscape artist celebrated for his atmospheric oil paintings of the British countryside and coastal vistas.

Denis Brihat (1928–2024)

 

 Cerisier dans le mistral, 1989

Denis Brihat (1928–2024) was a celebrated French photographer (rather than a painter in the traditional sense) who is considered a pioneer of fine-art photography and a master of darkroom craftsmanship.

Although he worked with film and darkroom techniques, he referred to his unique prints as "photographic paintings" (tableaux photographiques) because of his painterly, alchemy-like approach to color and texture.

Foege aka Steen Foege (Danish, based in Copenhagen, Denmark)

 

 Twin Clouds

Acrylic on Canvas

An Ukranian artist: Volodymyr Afanasyev

 

 Road to the River, Ukraine, 1999

Leah Gardner - blue hour on I-65

 

blue hour on I-65

Jeff Stanford

Avenue of Embers

This magnificent painting, titled Avenue of Embers, is the work of artist Jeff Stanford.

• Subject and Composition: The artwork depicts a striking and symmetrical tree-lined avenue—a natural vaulted canopy formed by large trees arching over a country path, with a central cypress or evergreen silhouetted against the light.

• Style and Technique: The style is distinctly post-impressionist and textured, characterized by a dense, fragmented brushstroke (resembling a mosaic or pointillist weave) applied with a rich impasto technique that gives strong trimensionality to the surface.

• Use of Color and Light: The color palette is extraordinarily vivid and built on complementary contrasts: the tree trunks and branches are illuminated by cool blue and azure tones, brilliantly highlighted along their edges by intense orange and golden glows that evoke the light of a setting or rising sun.

The overall effect creates a warm, almost dreamlike atmosphere where nature is reinterpreted through a vibrant explosion of light and color.