Der gelbe huegel (1903)
Autumn landscape at Oschwand (1906)
oil on canvas 61.7 x 54.9 cm
Selbstbildnis in Rosa (1907)
STUDIE ZUR “APFELERNTE” (1912)
Oil on canvas, 61 x 56 cm
Frühlingslandschaft in Oschwand (1918)
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Dorf im Winter (1928)
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Winterlandschaft (1928)
The Yellow Girls (1931)
Segelschiffe auf dem Thunersee [Sailboats on Lake Thun], 1931
Oil on canvas, 66 x 86 cm
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Gewitterhimmel (1932)
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Garden overlooking Oschwand (1938)
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Sommerlandschaft (1938)
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Föhnstimmung (Zürichsee) (1943)
Aarelandschaft mit Sankt Ursen Kathedrale in Solothurn
Landscape Near Oschwand
Blick auf die Berner Alpen [View of the Bernese Alps] (1925)
Oil on canvas, 55 x 60 cm.
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Dorf im Winter (1928)
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Winterlandschaft (1928)
The Yellow Girls (1931)
Segelschiffe auf dem Thunersee [Sailboats on Lake Thun], 1931
Oil on canvas, 66 x 86 cm
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Gewitterhimmel (1932)
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Garden overlooking Oschwand (1938)
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Sommerlandschaft (1938)
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Föhnstimmung (Zürichsee) (1943)
Aarelandschaft mit Sankt Ursen Kathedrale in Solothurn
Bildnis der Susanne Geiser-Egger
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Landscape with Alps in background
Garden near Oschwand 1946
Der Blaue Berg (Blick Von Oschwand Auf Die Jurakette), 1946
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Blick von der Oschwand, 1948
Herbstimpression durchs Fenster (1953)
Selfportrait with apple
Cat
Frauen Mit Kindern
Cuno Amiet (28 March 1868 – 6 July 1961) was a Swiss painter, illustrator, graphic artist and sculptor.
As the first Swiss painter to give precedence to colour in composition, he was a pioneer of modern art in Switzerland.
Amiet created more than 4,000 paintings, of which more than 1,000 are self-portraits.The great scope of his work of 70 years, and Amiet's predilection for experimentation, make his œuvre appear disparate at first – a constant, though, is the primacy of colour.
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