La pluie (c. 1903-04)
Sheaf Binders (also known as Gleaners at Chailly-en Bière) (1905)
Femme Fatale, 1905
Haystacks (also known as Clouds or Summer), 1905
Lailla (1908)
Maria (1910)
Bas Bleus c. 1913
Femme Fatale, 1905
Haystacks (also known as Clouds or Summer), 1905
Lailla (1908)
Maria (1910)
Bas Bleus c. 1913
oil on canvas
The Corn Poppy, 1919
LA CHIMERE PIE
Bather with yellow cap, 1920
Cérès
The Corn Poppy, 1919
ESPAGNOLE A L’EVENTAIL
LA CHIMERE PIE
Bather with yellow cap, 1920
Cérès
Nu debout sur fond vert et rose (n.d.)
oil on canvas 65 x 50 cm
oil on canvas 65 x 50 cm
Cornelis Theodorus Maria van Dongen (1877 – 1968), usually known as Kees van Dongen or just Van Dongen, was a Dutch painter and one of the Fauves. He gained a reputation for his sensuous, at times garish, portraits. Kees van Dongen was born in Delfshaven, then on the outskirts, and today a borough, of Rotterdam. He was the second of four children in a middle-class family. In 1892, at age 16, Kees van Dongen started his studies at the Royal Academy of Fine Arts in Rotterdam, working with J. Striening and J.G. Heyberg. During this period from 1892 to 1897, van Dongen frequented the Red Quarter seaport area, where he drew scenes of sailors and prostitutes. He met Augusta Preitinger at the Academy, a fellow painter.
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