Pierre-Eugene Montezin (France 1874-1946)

 

Promenade dans la forêt (n.d.)

oil on masonite 54 x 65 cm

Pierre-Eugène Montézin (1874–1946) was a French Post-Impressionist painter celebrated for his vibrant landscapes and mastery of light. Born in Paris, he was introduced to art early, as his father was a lace draftsman. Montézin initially trained in decorative mural painting but was deeply influenced by the Impressionist movement, particularly the works of Claude Monet.

He embraced the "en plein air" technique, painting outdoors to capture the natural beauty of rural France. His works often depicted serene countryside scenes, including forests, rivers, and snow-covered landscapes. Montézin's dedication to his craft earned him recognition, and he was awarded the prestigious Chevalier de la Légion d'honneur in 1923. He also served as the President of the Salon Jury in 1933 and was elected to the Académie des Beaux-Arts in 1941.

Montézin's art is characterized by its lively brushstrokes and vibrant use of color, reflecting his love for nature and light. His works are displayed in prominent museums, including the Museum of Modern Art in Paris and the Kunsthalle Museum in Mannheim.

The Eight: Maurice Prendergast

 The Porch with the Old Mosaics, St. Mark’s, Venice 1899

Venetian Canal Scene (1898-1899)

Boston Harbor, c.1900-c.1905

Maurice Brazil Prendergast (October 10, 1858 – February 1, 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype. He exhibited as a member of The Eight, though the delicacy of his compositions and mosaic-like beauty of his style differed from the artistic intentions and philosophy of the group.

source: wikipedia

Gustave Loiseau

Gustave Loiseau (French, 1865-1935)

The Haystack, 1899

Le Champ de Ble, 1904

L’Arc de Triomphe et l’Avenue de Friedland, 1930-31.
Oil on canvas, 71 x 58 cm

Gustave Loiseau (3 October 1865, Paris – 10 October 1935, Paris) was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets.

Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets such as the Rue de Clignancourt or the Avenue de Fiedland. From the 1920s, he painted many still-lifes. His overall approach, rather than being associated with any particular theory, is simply an attempt to represent scenes as sincerely as possible.

Konstantin Gorbatov

Harbor View At Sunset, Oil on Board, 57 x 69 cm

By The Lake, 1933

Konstantin Ivanovich Gorbatov (Russian: Константин Иванович Горбатов; 17 May [O.S. 5 May] 1876–24 May 1945) was a Russian post-impressionist painter.

Gorbatov was born in Stavropol in the Samara province. He lived in Riga from 1896 to 1903, and studied civil engineering before painting. Gorbatov moved to St. Petersburg in 1904 and studied at the Baron Stieglitz Central School for Technical Draftsmanship. He initially entered the architecture department of the Imperial Academy of Arts before switching to painting that he studied under Nikolay Nikanorovich Dubovskoy. Gorbatov received a scholarship and studied art in Rome and Capri. He returned to St. Petersburg and participated in the Peredvizhniki exhibitions... 

more on wikipedia

Albert Lebourg (French, 1849-1928)

Paris, the Seine at Pont des Arts and the Institute

La Seine à Marly 

oil on canvas 39 x 61 cm

I usually do not comment pictures, but the light in this one is wonderful

The Parc Monceau (1900)

The Bridge, Joinville

Rouen And Saint-Sever (1900)

Albert Lebourg (1 February 1849, Montfort-sur-Risle – 6 January 1928, Rouen), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l'École de Rouen). Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.

source: en.wikipedia

Nils von Dardel

Nils von Dardel (Swedish, 1888‑1943)

Marthe

Portrait of Ms. Svea Cervin

Nils Elias Christoffer von Dardel (sign: Nils Dardel) (25 October 1888 – 25 May 1943), was a Swedish Post-Impressionist painter.

http://en.wikipedia.org/wiki/Nils_von_Dardel

Marcel Dyf, a French post-impressionist

Marcel Dreyfus, dit Marcel Dyf  (1899 – 1985)

The Field Of Poppies, Undated

Wheat Field

The Vase with Wild Flowers, 1950

Young Woman In Pink, 1956

Wheat field and village in Provence

Bois Darcy

The Corn Field

Marcel Dreyfus, dit Marcel Dyf (Paris 11^e, 7 octobre 1899 – Bois d’Arcy, 15 septembre 1985), est un peintre post-impressionniste
French Wikipedia

Victor Charreton

Victor Charreton (French, 1864-1936)

Untitled

Vallon au printemps

Féerie d’automne

Autumn in Crouzols

Quay Under the Snow (Quais animés sous la neige)

Pointillism: Georges Seurat

Georges Pierre Seurat (French, 1859 – 1891)

Landscape at Saint-Ouen, 1879

Man leaning on a parapet (1879)

Pink Landscape, 1882-1883

Forest Path, Barbizon, 1883

The Bridge - View of the Seine, 1883

oil on wood

Bank of the Seine, circa 1884

The Anchorage at Grandcamp - circa 1885

The Port of Honfleur (1886)

Snow Effect, Winter in in the Suburbs (1888)

The Eiffel Tower (1889)

Grandcamp, Evening (detail)

Paysage, homme assis (étude pour Un Dimanche d’été à l’Ile de La Grande Jatte)

Ein Abend am Kanal von Gravelines

Landscape

Study for “Les poseuses”

Georges Pierre Seurat (1859 – 1891) was a French Post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the technique of painting known as pointillism. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-impressionism. It is one of the icons of late 19th-century painting.

Seurat’s color system — pointillism — involved dividing colors into their component parts and applying those colors to the canvas in tiny dots. The forms become comprehensible only from a distance.

source: wikipedia

Post-Impressionism: Augustus John

Portrait of Wyn Henderson, n.d.

double-sided ink drawing on Eiffel Tower Hotel stationary, 24.8 x 19.1 cm

Olives in Spain (c. 1925)

Un Coup de Mistral, Provence, c.1928 

oil on canvas

Augustus Edwin John OM, RA, (4 January 1878 – 31 October 1961) was a Welsh painter, draughtsman, and etcher. For a short time around 1910, he was an important exponent of Post-Impressionism in the United Kingdom.
"Augustus was celebrated first for his brilliant figure drawings, and then for a new technique of oil sketching. His work was favourably compared in London with that of Gauguin and Matisse. He then developed a style of portraiture that was imaginative and often extravagant, catching an instantaneous attitude in his subjects."

source: http://en.wikipedia.org/wiki/Augustus_John

Henri Martin, French post-impressionism

Henri Martin (French, 1860-1943)

Pré au crepuscule, circa 1890

Boats near Collioure, circa 1910

Sous le Vent, 1916

Pergola at the South Door of Marquayrol

Etude de peupliers

La Fenetre Fleurie

Derniers Rayons, Une Ferme Dans Le Lot

Sailboats near the coast

Canal in Venice

Henri-Jean Guillaume Martin (August 5, 1860 - November 12, 1943) was a renowned French impressionist painter.

see: http://en.wikipedia.org/wiki/Henri_Martin_(painter)