Showing posts with label Cloisonnism. Show all posts
Showing posts with label Cloisonnism. Show all posts

Sunday, February 17, 2013

Paul Serusier

By the Sea in Pouldu
oil on canvas 37x55 cm


Trees along a Creek


Paysage


Nature morte- l’atelier de l’artiste


Roof Tops in Paris


The Talisman, 1888

"The Talisman" is a small, square painting that depicts a forest scene in muted colors. It is considered an important work in the history of modern art because it was a key influence on the development of the Fauvist movement and the broader Post-Impressionist movement.


Mother and Child on a Breton Landscape, 1890


Woman in a Street, 1891


The Stagecoach Road in the Country with a Cart, 1903


(attribué à) Paysage valloné

Paul Sérusier was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabi movement, Synthetism and Cloisonnism. The painting, that became known as The Talisman, was created under the close supervision of Gauguin. It is an extreme exercise in Cloisonnism that approximates to pure abstraction.

source: http://en.wikipedia.org/wiki/Paul_S%C3%A9rusier



Thursday, February 7, 2013

Émile Henri Bernard, post-impressionism

Émile Bernard (French, 1868-1941)


The cliffs at Le Pouldu (1887)


La moisson, 1888


View of Pont-Aven (also known as Pont-Aven Landscape), 1888


Vue des toits (1890)
oil on canvas 92.6 x 73 cm

La rue rose à Pont-Aven, 1892
Oil on card laid down on panel, 115 x 83.2 cm


Breton Women at Prayer 1892



Émile Henri Bernard - Self-Portrait

Émile Henri Bernard (1868 – 1941) is known as a Post-Impressionist painter who had artistic friendships with Van Gogh, Gauguin and Eugène Boch, and at a later time, Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first hand information on the crucial period of modern art to which Bernard had contributed.