Views of Paris

Jean Hélion - Roofs, Paris, 1958

Jean Dubuffet, View of Paris with Furtive Pedestrians

Maurice Utrillo - 40, Rue Ravignan

Marc Chagall, Le Pont de Passy et la Tour Eiffel

Ken Howard R.A. (British, born 1932) The Seine Paris - Evening Sparkle

Louis Hayet, Paris la Tour Eiffel

Childe Hassam, Champs Elysées, Paris - Oil on canvas, 1889

Georges Stein - A Flower Market Along The Seine (before 1890)

Albert Lebourg, Paris, the Seine at Pont des Arts and the Institute

Albert Lebourg - The Parc Monceau (1900)

Pierre Bonnard - Rue À Montmartre, Le Sacré-Coeur

Jean-Franck Baudoin (French, 1870-1961) - Quai de Seine avec vue sur la Concièrgerie

Jean-Franck Baudoin - Place de la Bataille, Paris

Jean-Franck Baudoin - Early Morning, Seine, Paris

Pablo Picasso - Ile de la Cite - View of Notre-Dame de Paris, 1945 

at Museum Ludwig, Cologne (Germany)

Auguste Chabaud - Gare du Nord, 1907

 Mercedes Gómez Pablos - Roofs of Paris, oil and carbon on canvas, 

162 x 114 cm, private collection

Auguste Chabaud - Shopping Street in Montmartre, 1907

Frederick Childe Hassam

Church Procession, Spanish Steps, 1883

Horticultural Building, World’s Columbian Exposition, Chicago, 1893

Promenade at Sunset, Paris (1888-1889)

Champs Elysées, Paris - Oil on canvas, 1889

A New York blizzard (1890)

Poppies on the Isles of Shoals, 1890

National Gallery of Art, Washington

Rainy Midnight, (1890s)

The Evening Star (1891)

Nocturne, Railway Crossing, Chicago (1893)

Winter Midnight, 1894

Late Afternoon, New York, Winter (1900)

Frederick Childe Hassam - Winter Afternoon in New York, 1900

One of Hassam’s more typically impressionistic works, this painting gives the viewer a pretty, appealing view of a New York street filtered through a sparkling winter storm. By this point, Impressionism was not considered radical; artists could go to schools set up to teach an impressionistic style of painting (such as William Merritt Chase’s summer art school in Shinnecock, Long Island), and it was becoming widely accepted as an academic style.



September Moonrise, 1900

Sand Springs Butte, 1904

October Haze, Manhattan, 1910

Sunset, Old Lyme, Connecticut (1911)
watercolor over pencil on paper 23.5 x 29.85 cm

The Silver Veil and the Golden Gate 1914

Mt. Beacon at Newburgh, 1916




The Fourth of July, 1916



Allies-Day May (1917)

Winter, Midnight



Gate of the Alhambra

The Avenue in the Rain

Moonlight

Nocturne, Hyde Park Corner

Apple Trees in Bloom, Old Lyme

Garden by the Sea, Isles of Shoals

Rainy Day on Fifth Avenue

The Silver Veil and the Golden Gate

Frederick Childe Hassam (October 17, 1859 – August 27, 1935) was a prolific American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.

source: wikipedia