Der gelbe huegel (1903)
Autumn landscape at Oschwand (1906)
oil on canvas 61.7 x 54.9 cm
Selbstbildnis in Rosa (1907)
STUDIE ZUR “APFELERNTE” (1912)
Oil on canvas, 61 x 56 cm
Frühlingslandschaft in Oschwand (1918)
Dorf im Winter (1928)
Winterlandschaft (1928)
The Yellow Girls (1931)
Segelschiffe auf dem Thunersee [Sailboats on Lake Thun], 1931
Oil on canvas, 66 x 86 cm
Gewitterhimmel (1932)
Garden overlooking Oschwand (1938)
Sommerlandschaft (1938)
Föhnstimmung (Zürichsee) (1943)
Aarelandschaft mit Sankt Ursen Kathedrale in Solothurn
Landscape Near Oschwand
Blick auf die Berner Alpen [View of the Bernese Alps] (1925)
Oil on canvas, 55 x 60 cm.
Dorf im Winter (1928)
Winterlandschaft (1928)
The Yellow Girls (1931)
Segelschiffe auf dem Thunersee [Sailboats on Lake Thun], 1931
Oil on canvas, 66 x 86 cm
Gewitterhimmel (1932)
Garden overlooking Oschwand (1938)
Sommerlandschaft (1938)
Föhnstimmung (Zürichsee) (1943)
Aarelandschaft mit Sankt Ursen Kathedrale in Solothurn
Bildnis der Susanne Geiser-Egger
Landscape with Alps in background
Garden near Oschwand 1946
Der Blaue Berg (Blick Von Oschwand Auf Die Jurakette), 1946
Blick von der Oschwand, 1948
Herbstimpression durchs Fenster (1953)
Selfportrait with apple
Cat
Frauen Mit Kindern
Cuno Amiet (28 March 1868 – 6 July 1961) was a Swiss painter, illustrator, graphic artist and sculptor.
As the first Swiss painter to give precedence to colour in composition, he was a pioneer of modern art in Switzerland.
Amiet created more than 4,000 paintings, of which more than 1,000 are self-portraits.The great scope of his work of 70 years, and Amiet's predilection for experimentation, make his œuvre appear disparate at first – a constant, though, is the primacy of colour.
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